![]() You might find it useful to take a practically focused film degree, such as film production – it’s not essential but you’ll meet like-minded people and gain skills. It’s also good to get experience in film or TV in a different role – for example as a runner (an assistant who helps their department in any way needed), assistant editor, camera operator or actor. Making your own short films is a good idea – you don’t need a big budget or professional equipment or actors for your first attempts get some friends together, chip in for any props or costumes you need to buy and film it on your phone. ![]() There’s no one clear route to becoming a film director. First, second and third directors assist the director, for example creating a filming schedule and ensuring it is stuck to, and making sure that actors and extras are ready in the right place at the right time. They direct the actors during filming, and work closely with editors in post-production. This involves working very closely with others, including the production designer, costume designer, location manager and cinematographer to get the visual element right, as well as with the composer and music and sound teams to get the aural element right. They take the screenplay and envisage how best it could work as an actual film, then make this happen. What a film director does and how to become oneĭirectors are responsible for the artistic success of a film. Screenwriting is closely connected to playwriting, so you might want to consider careers as a playwright too. Script readers read potential film scripts for film producers, summarise their content and comment on whether they are worth considering they can also provide a paid-for feedback service for writers. For example, you could consider becoming a script reader. ![]() You’ll almost definitely need another job to support yourself financially – give some thought as to what this could be. There are various relevant degree courses and short courses that can help you develop your writing skills and/or knowledge of drama – but film companies care about your script, not your qualifications, so make sure you’d actually find them useful. You need to develop your writing skills, produce a strong and original script and get it noticed by producers. Screenwriting is a tricky area to get into, with no magic formula for success. Script editors provide feedback, make requests for changes and ensure that drafts are delivered on time. Screenwriters work closely with script editors, who are employed by film companies to liaise with screenwriters who are working on scripts for them. Or a screenwriter might be asked to adapt a story that already exists in another form, such as a novel, short story or play. The original idea might be their own, or be given to them by a producer who has a rough outline for a story they’d like written. Screenwriters write film scripts – and rewrite them when asked. What a film screenwriter does and how to become one Would-be stunt performers need to join the British Stunt Register, which has some tough sporting entry requirements you’ll also need paid work performing on camera in non-stunt roles – for example, you could work as an extra. Extras (also known as background artists or supporting artists) often get work via agencies – just don’t rely on this as your only source of income. Love the idea of being in front of the camera? If you want a career as an actor, our article on how to become an actor gives more info. How to become a film actor, extra or stunt performer There are more storytelling choices to make in post-production: picture editors work with directors to select which shots and scenes to use and which to discard as they work towards creating the final cut. ![]() Screenwriters create the script, before directors bring it to life – working closely with actors, stunt performers and extras. Love a great story and want to tell intriguing tales for the big screen? Some of the best known careers in film are about doing just that. ![]()
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